Where’s the album already?

… You might ask, as I do myself every single day. Turns out making records is not as easy as it sounds, who knew? In the last update I mentioned Alex (sound engineer) who started mixing the album in October. Things dragged in December and January and Alex left to¬†tour with his band in the last month or so. Musicians go on tour, who knew? Alex is now back and will commence working on the mix WHEN his new computer arrives. Kill me ūüôā

Meanwhile, my dear friend Richard is (still) editing the majestic new music video for one of the tracks from the new album. Obviously, we won’t be able to release the music video if the song is not mixed and mastered yet. Having said that, I still haven’t seen a single second from the edits, but Richard is being optimistic and said “it’s really worth the wait” (his words).
The music video should be done by the end of March. <– See what I did there¬†Richard? …. Richard? …. Wake up Richard.

This post is totally not a distraction to make you forget that I still have to finish working on the album cover and artwork. What’s with 2018? Did the government spray some laziness chemicals in the air or something?

Illuminati Confirmed!

Crap, I almost forgot!

My music is now on a new platform called¬†Musicoin. Yes, it’s one of those crypto-currency (digital currency, Bitcoin) thingies; and if you don’t know what Bitcoin is, make sure you include the location of the rock you live under in your mailing address, at least you’ll get the new CD when it’s out; not sure what you’ll do with it though. ūüôā

So, why Musicoin?

Unlike Spotify, or other similar industry giants who are destroying the music industry, Musicoin actually pays the artist 1 $MUSIC by a Pay-Per-Play (PPP) smart contract, and the best part is, you (the listener) don’t pay anything out of your pocket. So, who pays the artist? Miners (Mind you, they’re not human miners). And who pays the miners? Miners solve computational work to mine $MUSIC and they get paid for their work by the Musicoin ecosystem. Pretty smart, eh?

The numbers, what do they mean?

1 $MUSIC is currently worth 2.5 cents, Spotify claims that their average pay per stream is $0.007 which is a flat out lie, the real number is around $0.004 (that’s less than a cent, not even half a cent) which is also the average pay per play for other streaming platforms like Apple or Amazon etc…¬†HINT: If you’re listening on Spotify, you’re not paying the artist, you’re paying the millionaires.

But what do I know?

Here’s my Musicoin page¬†https://musicoin.org/nav/artist/0x89a42ed7a1367…

Go listen to some music and support artists directly.

I hope I’ll be back with better news next time

-Shant

Hello 2018!

Happy new year to everyone! 2017 was amazing, 2018 will be even better with lots of amazing new music coming your way.

Cheers!

Expectations

Hey friends. I hope life is treating you well and not being a bitch.

Now that we’re all waiting (including myself) for “Paradigms” to be released, I wanted to ask what are your expectations from the new album? This is my first second album… I hope that was confusing enough. I mean it’s the first time I release a second album for a band I’m in. I’m quite aware of fan reactions to new releases, as a fanboy myself I’ve been through a few of those myself. I’m keeping in mind the phrase “You can’t please everyone”, but I’m still hoping to do so.

My Other Artistic Side

Hey folks. I want to show you my other artistic side. I do digital paintings every once in a while, whenever I need a break from music. Yesterday, I finished this portrait painting of the lovely singer Anneke Van Giersbergen with whom I aspire to work one day.

If you want your own portrait digitally painted by me, check out the limited “Prog Legend” perk on the¬†IndieGogo campaign

I will broadcast the painting process live so everyone can watch it.

Anneke van Giersbergen

 

Pompeii

Whew! I’s been a few weeks since I have last posted here.
Well the reason is I was on vacation in Italy with my wife, what a beautiful country; the food, even more so!
Of course the main reason for going to Italy at this time of the year was to attend David Gilmour at Pompeii, so I’m going to fast forward over everything up to the point where we had to take a train from Naples to Pompeii.

The weather in Italy around July is 30+ degrees Celsius, and extremely humid. The train station in Napoli was packed by tourists who want to get to the ruins of Pompeii, among which are a horde of people with Gilmour and Pink Floyd shirts on. So we get our train tickets and get ready to board the train, the platform was so packed that we figured we won’t be able to find a seat since it’s an internal train and no seats are assigned on the tickets.

So the train arrives and everybody hurries to board, and eventually we get on and stay at a section where there are no seats and inconveniently no windows either. We were about 15 people in that small area, and as soon as the train moves I realize this is going to be tough ride, but it was too late anyway. Fast forward five minutes and I’m dripping sweat from my ass, arms, legs… you name it. In the meantime and during a short conversation of how hot it is where we were stuck, we met a couple; Giulia and Gigi, who came from Rome for Gilmour as well. Giulia was nice enough to hand us a couple of wet wipes to help ourselves.

Meanwhile I was trying to find my water bottle because I thought I was about to pass out of dehydration, you cannot imagine! I thought I wasn’t going to make it. And the thought of staying here for another 40 minutes or so was not helping at all.

Here’s a photo of me dying.

train

For more pics, please follow me on Instagram @SemanticSat

There wasn’t a single breeze to help with the situation, so I started looking around for a solution and found out a tiny little crack at the bottom of the exit door, where a tiny amount of air was entering. Salvation! I remained seated on the floor for the remaining 20 minutes or so. I made it. Imagine how satisfying was stepping out to a hot 30 something degrees!

So we said our goodbyes to Giulia and Gigi and got to the ruins of Pompeii around noon. As soon as I entered the city, a sudden stream of goosebumps crept all over my body, it was a dream for me to visit Pompeii one day. The place is a magical ghost-town, a silent scream from a distant past. An entire city in ruins, body casts, volcanic ash, and the gigantic mount Vesuvius floating high in the horizon. What a scene!

We wandered around the city and did some sightseeing, until it was time to head towards our main destination, the amphitheater of Pompeii. We met more people at the ruins wearing Gilmour shirts and asked them how to get to the amphitheater. and a 20 minutes walk later we arrived at the entrance. It was around 4:00pm, and obviously there was a long line already, and while we waited at the end of the line we coincidentally met Giulia and Gigi again and we stuck together for the rest of the day. Fast forward to around 7:00pm, the line starts moving, there was heavy security, at least 4 checkpoints. I had a Canon Mark II with me which I borrowed from my brother, I was a bit worried on getting it inside with me, but that wasn’t a problem unless you attempt taking photos during the show.

After the final security checkpoint, we are now entering the Pompeii amphitheater, the scenery, the crowd, the typical round Floyd screen surrounded with lights, this is where the Floyd played back in 1972 for “Live at Pompeii”. All of this was¬†too much for my brain to comprehend what was going on, so¬†another rush of goosebumps crept down my spine, which I think lasted for most of that evening. It was a dream for me just to visit the Pompeii amphitheater one day to be at the same place the Pink Floyd played 45 years ago, but attending a David Gilmour show in the Pompeii amphitheater was entirely out of this world, and unimaginable; my experience was brought to a whole new level of excitement.

Hey, you can see Giulia and Gigi in this photo!

David Gilmour in Pompeii

For more pics, please follow me on Instagram @SemanticSat

As the place starts filling up and the sun begins to set, familiar background sound effects from Pink Floyd albums start playing “Why should I be frightened of dying?¬†There’s no reason for it, you’ve gotta go sometime.” Then¬†suddenly smoke machines around the amphitheater start working… and suddenly, time travels back to the ’70s.

Maybe a photo will help you.

Time travel to the 70s

For more pics, please follow me on Instagram @SemanticSat

I realized there where also big ass cameras that were probably filming the show as well as a couple of drones flying around. As for the set-list, they played most of the classics Shine on, Wish You Were Here, High Hopes, Coming back to Life, Sorrow, Money, some tunes from David’s albums and additionally, A Great Gig in the Sky and One of These Days which were absolutely thrilling to listen to. The show ended with an orgasmic display of fireworks around the entire amphitheater at the end of Run Like Hell.

Of course the crowd was loud enough to bring the band back on stage to play Time, Breathe and Comfortably Numb with the mind boggling laser show. I have pictures but posting them here won’t do it justice. You got to be there!

The night ended with both of us searching for a ride back to our room in Naples, of course there were no trains after midnight (or at least we thought so). Finally we managed to grab a taxi a few other people, I’m not even going to mention how crazy the guy was driving, going 150kmph skipping red lights like there’s no tomorrow, when suddenly the thought of not going to make it pops again in my head, but I was way calmer this time, at least I’ve seen Gilmour play in Pompeii.

And if you have been reading this far… Well you must be as crazy a fan as I am for Pink Floyd. So thank you for reading.

DG

For more pics, please follow me on Instagram @SemanticSat